Embarking on a cinematic journey of unparalleled proportions, Lewis Andrews’ work for the XM2 aerial drone unit for the James Bond No Time to Die, the latest instalment of a globally celebrated franchise, was nothing short of extraordinary. Teaming up with the visionary director Cary Joji Fukunaga, XM2 delved into the intricate world of filmmaking, capturing awe-inspiring aerials that would elevate the visual grandeur of the movie.

Working on a project of such magnitude meant navigating through the opulence of incredible cars and intricate sets, all while confronting new logistical challenges that pushed the boundaries of aerial drone cinematography. The stakes were high, as the aerial unit was entrusted with capturing high-octane stunts that would define the pulse of the entire film.

A distinctive facet of this venture was the utilization of real film in the state-of-the-art ARRIFLEX 765 camera. The decision to employ this medium added a layer of complexity, requiring the de-squeezing of playback for an anamorphic lens conversion. This meticulous process, coupled with the constraints of time inherent in working with real film, bestowed a heightened sense of value to each frame captured. In contrast to the vast storage space afforded by digital cameras, the limitations imposed by the tangible nature of film intensified the significance of every moment captured, instilling a sense of reverence for the craft.

The sheer privilege of contributing to a project of such prestige and global renown was not lost on the crew. Being part of a franchise that stands at the pinnacle of cinematic achievement brought a profound sense of accomplishment and pride. The aerial drone unit played a crucial role in bringing to life the director’s vision and contributing to the legacy of a franchise that has captivated audiences worldwide.

Working with XM2 on the latest instalment of a globally renowned franchise was an exceptional experience for Lewis Andrews. The mission was to capture aerial footage that would enhance the visual impact of the movie.

Navigating through impressive cars and elaborate sets presented logistical challenges for the aerial drone unit, as the XM2 team aimed to film high-intensity stunts crucial to the film’s narrative. A notable aspect of this project was the use of real film in the advanced ARRIFLEX 765 camera. The decision to opt for this medium added complexity, requiring the de-squeezing of playback for an anamorphic lens conversion. With limited time for capturing footage on real film, each frame took on a heightened significance compared to the digital alternative with its ample storage space.

Being part of a project with global prestige was indeed a privilege for Lewis Andrews. The franchise’s standing in the cinematic world brought a sense of accomplishment, as the aerial drone unit played a pivotal role in realizing the director’s vision and contributing to the enduring legacy of the franchise.