We will provide a bespoke quote for each job. Please send an email to lewis@wonderfilmpictures.com, with details such as the duration of the job.

Our VFX balls are designed so 50% of the ball is chrome finish and 50% is grey, so that the reference can be captured by rotating the ball for the camera.

Our array captures a 160° FOV, with a 27.9% FOV overlap for reliable stitching.

We can create more array configurations. Please contact us on lewis@wonderfilmpictures.com to discuss your requirements.

90% of our work is international. We can provide kit rentals anywhere in the world, including our VFX Array rig.

Although our kit is based in the UK during down periods, we plan the logistics of our hires so we can ship our equipment for shoots anywhere in the world.

Our standard array package comes with a technician who can supervise the kit. We have relationships with ACs who can manage the rig on shoots. Our Ronin 2 array is fully turnkey, so it can also be handed over to an operator.

We can process the array material after shoot and provide deliverables to the specification of the VFX vendor.

We don’t currently offer live stitching. However, we have live playback, which streams through a Teradek Bolt 6 1500, so you can see playback from all cameras on the array without the overlap.

Horizontal ~65.5° Vertical ~37.5° on the RED KOMODO-X 6K sensor.

Yes — the ZEISS lenses we use, including the 21mm lenses, provide extended lens data that can be used for distortion mapping and undistortion workflows. There is also a ZEISS/Nuke plugin workflow available.

Yes please find our RED KOMODO-XVFX Array Rig tech spec here.