Editing.
Colour Grading.
VFX.
Sound Design.
Music.
Beats.
Soundtracks.
Data Management.
Dailies.
Archiving.
Graphic Design.
Movie Posters.
Album Art.
Photography.
Social Content.
Websites.
Brochures.
Presentations.
04:02:25
London, UK
11:08:20
London, UK
01:01:70
Meridian Water Studios, UK
04:02:25
London, UK
11:02:18
Hertford, UK
01:01:70
Shepperton Studios, UK
04:02:25
London, UK
01:01:70
Meridian Water Studios, UK
07:05:22
Shepperton Studios, UK
09:12:22
Budapest, Hungary
01:01:70
Meridian Water Studios, UK
04:02:25
London, UK
04:02:25
London, UK
04:02:25
London, UK
11:08:20
London, UK
01:01:70
Warner Bros. Studio, UK
04:02:25
London, UK
04:02:25
London, UK
04:02:25
London, UK
04:02:25
London, UK
01:01:70
Shepperton Studios, UK
01:01:70
Warner Bros. Studio, UK
04:02:25
London, UK
01:01:70
Hertford, UK
08:05:17
London, UK
BBC Studios
Walking With Dinosaurs (2025)
Alcon Entertainment
Blade Runner (2099)
Paramount Pictures
Mission: Impossible – Dead Reckoning Pt 1
Eon Productions
James Bond “No Time To Die”
Universal Pictures
Fast & Furious 9
Sony Pictures
Gran Turismo
Netflix
3 Body Problem
Netflix
Damsel
Netflix
Scoop
HBO
Avenue 5: Season 2
CBS Studios
The Man Who Fell To Earth (2022)
Paramount Pictures
A Quiet Place: Day One
Amazon Studios
Citadel
Marvel Studios
Secret Invasion
Columbia Pictures
Cinderella
Millenium Media
JOLT
Let's finish it.
We’ll see through your project to final delivery with any supporting assets as per your needs.Â
👋
How we cut your film...
Wonderfilm edits film using a MacBook Pro 16.2 inch SB/16C CPU, 40C GPU, 128GB 4TB M3 MAX Chip powerhouse. Our film editing services include editing, sound design, and data management. All of our post production begins with solid pipeline and data management which enable a smooth workflow. We are passionate about the detailed admin and prep so that we can be free creatively. Dailies from shoot will be managed and archived before editing process begins. Wonderfilm edits your movies using DaVinci Resolve, Adobe Premiere Pro, Adobe After Effects, Final Cut Pro
Colour Grading
We provide colour grading on all of our projects using DaVinci Resolve. A colour palette is discussed in the pre-production treatment stage to establish a direction. We work tirelessly to create a consistent look within each film project. Our editing work incorporates colour design to enhance a visual style. We use colour to create a fresh look and mood to suit our clients’ artistic intentions.
Cool VFX
We implement VFX into our client’s work to enhance the overall magic. VFX brings storylines to life through fabricating fairytale style visuals and bizarre new worlds. We have created bespoke VFX shots in-house. We also have access to top VFX artists in the industry who Lewis has worked with on major films and TV shows.
Sound Design
We love curating sound design by immersing sound effects, music, and beats using Logic Pro into the film edit. We have worked with top sound engineers and London studios to create soundtracks for films and music videos. At the early stages of the film editing process, we introduce sound and tempo to make the film cutting come to life. Understanding the cadence and musicality of the storyline builds a picture of the mood of each film project.
Design & Art
We can supply projects with graphic design assets such as movie posters, album art, photography, & social media content. We have also created websites, brochures, and presentations. We love designing compositions that suit your brand and artistic direction. All of the assets we deliver with your project are designed to make an impact and support the promotion of the film.
Data Management
We dedicated to data management, ensuring the importance of well-organised and quickly accessible data. We have developed advanced FileMaker systems to manage and track data efficiently, enhancing productivity on set and in post production.
Lens Gridding
We manage lens gridding on film and TV shoots, compiling reports from lens grid tests. The grids are used during post production allowing us to correct lens distortions when integrating CG elements into a shot. During the lens gridding process, we pay close attention to the set up. This includes the dolly’s length, the floor’s flatness, light distribution, and the necessary focus pull or grain sample required by the VFX Supervisor.