Wonderfilm’s VFX Array Hire built around RED KOMODO-X cameras, ZEISS 21 CP.3 XD lenses and Teradek Bolt 6 wireless systems, captures 15K plates with consistent overlap ideal for accurate compositing.
From physical sets to virtual production stages, this array provides a ready-made Film Equipment Hire solution that removes the need for custom arrays and ensures dependable, high-quality imaging.
Send us an email or text with your requirements and any production equipment hire details, and we’ll respond within 24 hours.
We provide our VFX Ball, VFX Array rig rentals and film production equipment rentals worldwide, ensuring you’re covered no matter where your production takes place.
For clients closer to home, we serve key areas across London: West London, South West London, North London, East London, and South East London.
We also extend coverage to surrounding UK regions, including: Buckinghamshire, Berkshire, Bedfordshire, Surrey, Kent, and Hertfordshire.
For the complete list of locations we operate in globally, please see our locations page below.
We quote each rental based on the details of the production. Send the job duration and key requirements to lewis@wonderfilmpictures.com, and we will respond with a tailored price.
The VFX balls are not designed as separate chrome and grey items. Each ball is 50% chrome and 50% grey, so both references can be captured by turning the ball for the camera.
Our array records a 160° field of view, using a 27.9% overlap between views to help create dependable stitched plates.
We can build different array configurations for specific productions. Email lewis@wonderfilmpictures.com with your requirements and we can advise on the best approach.
Yes. Most of our work takes place internationally, and we can arrange worldwide kit rental for our equipment, including the VFX Array rig.
The equipment is normally UK-based between jobs, but our rental planning is built around international shipping, so the kit can be supplied for shoots worldwide.
The standard array hire includes a technician to oversee the kit. We also have relationships with ACs who can run the rig, and our Ronin 2 array package can operate as a turnkey system for an operator.
We can process the captured array material once filming is complete and provide the requested deliverables in line with the VFX vendor’s specification.
Live stitching is not currently part of our service. Instead, we provide live playback via a Teradek Bolt 6 1500, so production can monitor all array camera feeds without overlap.
The ZEISS 21mm CP.3 XD provides approximately 65.5° horizontal and 37.5° vertical field of view on the RED KOMODO-X 6K sensor.
Yes. Our ZEISS lenses, including the 21mm lenses, output extended lens data that can be used in distortion mapping and undistortion workflows, including the ZEISS/Nuke plugin route.
You can find the RED KOMODO-X VFX Array Rig technical specification on the array page.
