We will provide a bespoke quote for each job. Please send an email to lewis@wonderfilmpictures.com, with details such as the duration of the job.
| W3 | Acton |
| W4 | Chiswick |
| W5 | Ealing |
| W12 | Shepherd’s Bush / White City |
| UB1 | Southall |
| UB6 | Greenford |
| NW10 | Park Royal |
| HA0 | Alperton / Wembley |
| TW8 | Brentford |
| UB11 | Uxbridge |
| SL0 | Iver Heath (Pinewood Studios) |
We cover Central London locations including Soho, Fitzrovia, Covent Garden, Clerkenwell, South Bank and the City, across the W1, WC1, WC2 and EC postcode areas. We provide wireless video solutions, compact grip setups and high-end camera systems suited to controlled or restricted shooting environments.
Central London is the hardest part of the city to shoot in. Permits are tightly controlled, unit parking is scarce, load-in windows are short and vehicle access is shaped by congestion and emissions zones. Kit that needs a truck, a crew and an hour to build is the wrong kit for a Soho street or a City courtyard.
Our array is built for that constraint. It arrives as a turnkey package ready to shoot in under thirty minutes, travels in a single flight case, and runs on the Teradek Bolt 6 ecosystem for wireless monitoring and lens control at up to 1500 feet — so a rig can sit on a rooftop, a bridge or a pavement without cabling back to a base.
Central London is also where the work goes afterwards. Soho and Fitzrovia hold the densest concentration of post houses, VFX vendors and advertising agencies in the country, and plates shot in the morning can be with a compositor the same day. Our deliverables are prepared to the vendor’s requested specification, and the ZEISS CP.3 XD lenses supply extended lens data for distortion mapping and undistortion so material lands in a usable state.
VFX Array and VFX Ball hire is available for commercial, digital and editorial shoots needing precise lighting capture, clean passes or reference plates. Our base is on Lower Sloane Street in Chelsea, a short run from Westminster, the South Bank and the West End, so kit can reach a location for an early call or be swapped mid-shoot.
